The wicked wit of Jane Austen - Iseult Gillespie

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The wicked wit of Jane Austen - Iseult Gillespie

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English novelist Jane Austen's beloved works, like "Pride and Prejudice," explored the dependence of women on marriage in British high society. -- Whether she's describing bickering families, quiet declarations of love, or juicy gossip, Jane Austen's writing often feels as though it was written just for you. Her dry wit and cheeky playfulness informs her heroines, whose conversational tone welcomes readers with a conspiratorial wink. Iseult Gillespie explores the sly societal satire and unique tongue-in-cheek humor of Jane Austen. Lesson by Iseult Gillespie, directed by Compote Collective. Sign up for our newsletter- http-// Support us on Patreon- http-// Follow us on Facebook- http-// Find us on Twitter- http-// Peep us on Instagram- http-// View full lesson- https-// Thank you so much to our patrons for your support! Without you this video would not be possible! Milad Mostafavi, Rob Johnson, Clarence E. Harper Jr., Mihail Radu Pantilimon, Karthik Cherala, haventfiguredout , Violeta Cervantes, Elaine Fitzpatrick, Lyn-z Schulte, cnorahs, Henrique 'Sorin' Cassus, Tim Robinson, Jun Cai, Joichiro Yamada, Paul Schneider, Amber Wood, Ophelia Gibson Best, Cas Jamieson, Michelle Stevens-Stanford, Phyllis Dubrow, Andreas Voltios, Eunsun Kim, Philippe Spoden, Samantha Chow, Ayala Ron, Manognya Chakrapani, Simon Holst Ravn, Doreen Reynolds-Consolati, Rakshit Kothari, Melissa Sorrells, Antony Lee, Husain Mohammad, Max Shuai Tang, Come Vincent, Astia Rizki Safitri, Alan Froese, alessandra tasso, Gerald Onyango, Katrina Harding, Ezgi Yersu, Al the Scottish Wildcat, Katie Dean, Kin Lon Ma, Carsten Tobehn, Boris Langvand, Jeremy Fryd, Charlene You, Carolyn Corwin, rakesh Katragadda and Sergi Paez.

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Whether she’s describing bickering families, quiet declarations of love, or juicy gossip, Jane Austen’s writing often feels as though it was written just for you. Her dry wit and cheeky playfulness informs her heroines, whose conversational tone welcomes readers with a conspiratorial wink. It’s even been said that some readers feel like the author’s secret confidante, trading letters with their delightfully wicked friend Jane. But this unique brand of tongue-in-cheek humor is just one of the many feats found in her sly satires of society, civility, and sweeping romance. Written in the early nineteenth century, Austen’s novels decode the sheltered lives of the upper classes in rural England. From resentment couched in pleasantries to arguing that masks attraction, her work explores the bewildering collision of emotions and etiquette. But while romance is a common thread in her work, Austen dismissed the sentimental style of writing so popular at the time. Instead of lofty love stories, her characters act naturally, and often awkwardly. They trade pragmatic advice, friendly jokes and not-so-friendly barbs about their arrogant peers. As they grapple with the endless rules of their society, Austen’s characters can usually find humor in all the hypocrisy, propriety, and small talk. As Mr. Bennet jokes to his favorite daughter, “For what do we live, but to make sport for our neighbors and laugh at them in our turn?” And though her heroines might ridicule senseless social mores, Austen fully understood the practical importance of maintaining appearances. At the time she was writing, a wealthy marriage was a financial necessity for most young women, and she often explores the tension between the mythical quest for love, and the economic benefits of making a match. The savvy socialite Mary Crawford sums this up in “Mansfield Park;” “I would have everybody marry if they can do it properly: I do not like to have people throw themselves away.” Unsurprisingly, these themes were also present in Austen’s personal life. Born in 1775, she lived in the social circles found in her novels. Jane’s parents supported her education, and provided space for her to write and publish her work anonymously. But writing was hardly lucrative work. And although she had sparks of chemistry, she never married. Elements of her circumstances can be found in many of her characters; often intelligent women with witty, pragmatic personalities, and rich inner lives. These headstrong heroines provide an entertaining anchor for their tumultuous romantic narratives. Like the irreverent Elizabeth Bennet of “Pride and Prejudice,” whose devotion to her sisters’ love lives blinds her to a clumsy suitor. Or the iron-willed Anne Elliot of “Persuasion,” who chooses to remain unmarried after the disappearance of her first love. And Elinor Dashwood, who fiercely protects her family at the cost of her own desires in “Sense and Sensibility.” These women all encounter difficult choices about romantic, filial, and financial stability, and they resolve them without sacrificing their values– or their sense of humor. Of course, these characters are far from perfect. They often think they have all the answers. And by telling the story from their perspective, Austen tricks the viewer into believing their heroine knows best– only to pull the rug out from under the protagonist and the reader. In “Emma,” the titular character feels surrounded by dull neighbors, and friends who can’t hope to match her wit. As her guests prattle on and on about nothing, the reader begins to agree– Emma is the only exciting character in this quiet neighborhood. Yet despite her swelling ego, Emma may not be as in control as she thinks – in life or love. And Austen’s intimate use of perspective makes these revelations doubly surprising, blindsiding both Emma and her audience. But rather than diminishing her host of heroines, these flaws only confirm “the inconsistency of all human characters.” Their complexity has kept Austen prominent on stage and screen, and made her work easily adaptable for modern sensibilities. So hopefully, new readers will continue to find a friend in Ms. Austen for many years to come.

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