3بخش

Oh, that’s tender.

I wish I had someone.

Okay, widen out.

Let’s cruise the car deck for a while, see what we got.

How can you change the angle on footage taken four and a half days ago?

PRYZWARRA: This is a digital recreation.

We’re combining all the data we’ve got into one fluid shot.

Any angle, any view within the target area.

Okay, um, let’s cruise the breezeway, see what we get there.

PRYZWARRA: It’s a brand-new program.

It’s called Snow White.

Our primary data comes from seven orbiting satellites, but at any given time, as many as four are surveilling one area.

It’s like having multiple eyewitnesses, each with their own vantage point.

Snow White?

Well, which one of the seven dwarfs can explain to me how you get the audio?

I don’t understand.

Why do you gotta look at four days ago?

Why don’t you just fast-forward it to the day of the explosion?

We have to wait.

It takes four and a half days to render this single fluid shot.

The only thing that matters is that we have exactly one look at any one time.

Yeah.

We can’t go back 10 minutes, you know?

Can’t look back and see if there was a second gunman.

We can’t watch the agent buying 10 pairs of cargo pants in 1983.

All right?

But given enough lead time, we can look anywhere within the target area, all right?

It’s the when that’s always constant.

It’s always four days and six hours ago.

Always.

You understand?

It’s like a single trailing moment of now, in the past.

Okay.

So if.

if.

if.

if you can’t move forward or backward in time, how is it the image keeps speeding up like that?

It’s not the image that’s moving faster, it’s just our shifting point of view.

The passage of time remains constant, but we can shift our point of view within the data stream as fast as we want.

You understand?

Yeah.

Yeah.

No.

Yeah, I know.

So four days from.

Well, actually, three days from now, since it’s after midnight, you’ll be able to look back to the day of the explosion, see who did it, how they did it and what they did it with.

Yeah, you got it.

The only thing is, you need to tell us where to look, ‘cause, you know, we could miss it.

PRYZWARRA: Besides, three days could be too late.

He could leave the country, could strike again.

We need to do whatever we can now.

We know he’s out there planning this.

We just don’t know where to look.

So, Agent Carlin, where do we look?

Claire Kuchever’s house.

Address is in range.

All right, match the viewer settings to the signal.

Signal’s solid.

DENNY: All right, dazzle me.

What?

You see, with Snow White we can track through walls.

It’s part of the same infrared thermal-imaging stuff they’re using in Iraq.

CLAIRE: Hello.

This is 877-504-8423.

PRYZWARRA: We triangulate from four satellites, pick up the heat signal and reconstruct.

Basically, we can walk through walls.

Claire Kuchever.

ALAN: Claire?

Hello?

GUNNARS: Did you know her?

We held hands once, but no, I didn’t know her.

ALAN: Just checking in, wondering how you’re doing.

Montreal’s fantastic, but my boss is an ass.

Can you, uh, rotate the view, see what she’s looking at?

Yeah, yeah, yeah.

I want you to come visit, though.

The city’s phenomenal.

You’re gonna love it.

Claire?

Claire?

555-0118. Somebody got that?

Yeah.

Claire, you there?

Listen, I’ve had.

I’ve had a lot of time to think, and I need you to sell the Bronco as soon as possible.

Or at least pay me back my half.

I just really need the money.

I love you, honey.

Call me.

Unbelievable.

Where’s she.

Can you follow her?

No problem.

Yeah, I’m coming, I’m coming.

What?

It’s Stalhuth, at that house you found.

Female murder victim, Claire?

Right.

What do you got?

We got some bloody cotton swabsand gauze strips in the bathroom, some blood in the sink trap.

And, oh, hey, Carlin?

Man, when did you completely forget how to investigate a crime scene?

What do you mean?

This place is lousy with your fingerprints.

They’re all over the place.

Do me a favor.

Just describe what you see for me, okay?

Just humor me.

Uh, woman’s bedroom.

Vanity mirror.

Dressing table with makeup, knick-knacks.

Okay, okay, okay, I get it.

Is there anybody there?

Anybody brushing their teeth?

No.

Just a couple agents, including Hendricks, who’s bent over, and I have a fine view of the crack of his ass.

Okay, I get the picture.

Talk to you later.

You satisfied?

She was supposed to go on a date the night before she died.

I want to get her appointment books and everything brought down here, you know, her phone records, credit cards, diaries, anything.

I wanna know everything there is to know about this woman.

Well, shouldn’t we be concentrating on the ferry?

Well, yeah, it’s likely that our guy cased the ferry first, but we don’t know when.

We don’t even know what he looks like.

I mean, we could stare him right in the face and not know it’s him.

But we will notice a change, even a small change, in her life.

Hey, Beth.

BETH: Claire.

That guy I’ve been telling you about really wants to meet you.

Okay.

Tell him I’ll meet him Monday night.

Monday.

BETH: How about Sunday if you’re not doing anything?

No, Monday.

Great.

I’ll give him your number.

No, do not give him my number.

I’ll go meet him.

He’s not some psycho killer.

Who?

Him who?

I don’t even know if I can do it Monday.

Hang on.

Show me the book.

Monday works.

Damn!

Shit!

Can we go back?

No.

Seriously?

No, it’s far too much data for any existing storage system.

It’s a constant stream.

There’s no rewind, no second chances.

We can record what we’re seeing, but we can’t go back and choose to look at something different.

Okay.

You said we can record, though?

SHANTI: Yes.

Okay.

Tell me, is there any scientific or forensic insight likely to be gained by spying on this woman in the shower?

Shanti, we’re trying to make sure the woman’s clean.

All right, why don’t you, you know, look around the rest of the bathroom?

Can you do that?

Gunnars.

Yeah.

You back?

Sorry.

All right.

Icy Hot, Band-Aids, baby oil.

This woman needs a vice.

What’s on the other side of that wall?

Kitchen.

Let’s take a look.

Hello?

Hello?

Maybe there’s someone out there.

Maybe there’s a stalker.

Someone there?

Hey, Ginger.

Hello?

Does she know I’m here?

Does she know we’re here?

No, impossible.

Strictly one-way.

You sure?

Mmm-hmm.

Hello?

Okay, let’s check the perimeter.

GUNNARS: Nobody.

Who’s watching her?

We are.

WOMAN: (ON TV) They will also take up a request for more money for the.

God, thank you for blessing me with this food and with my life.

I know today’s gonna be a great day.

Amen.

You guys singing?

You singing a love song?

Huh?

You singing a love song to one another?

What you doing?

Hi.

Yeah, it’s been a while.

Everything God has done will remain forever.

There is nothing to add to it, nothing to take from it.

God has done this so that men should be in awe.

Ex didn’t show.

Would you?

MINISTER: Whatever is has already been, and what will be has been before.

God calls forth the past.

Claire loved music.

There’s a church near our house, and gospel fills the neighborhood.

When she was little, Claire saw a jazz funeral procession.

She asked me that day, “Why do they always wait until the end”to play the good music?

Claire, honey, the music’s playing for you now and forever.

Were there four limo drivers or five?

Four limos.

Must have been four drivers, right?

He was here.

Address is in range.

Palace Restaurant.

They got good food there.

WAITRESS: I’m so sorry for the wait.

I really am.

Listen.

Your table will be ready in a few minutes.

Drinks are on me, all right?

It is gonna be a few more minutes for your table.

Go upstairs and see if Table 45 is ready for desserts.

All right?

MAN: I will.

Hold on.

Hang on.

Hello?

Hello?

MAN: Hey, are you the lady with the Bronco for sale?

That’s him.

How do you know?

That’s him.

Well, call up the phone list.

Let’s see if it’s a number we’ve tracked.

Yes, that’s me.

Just a second.

Cover for me, all right?

Keep that tape running, too.

I’m gonna want a recording of this conversation for voice analysis.

I’m here.

Can you hear me?

MAN: Well, hello, there.

Let me tell you, first off, I’m what you could call a real motivated buyer.

I bet you are.

I’m ready to get something right away.

That sounds great.

I need to sell something right away.

Your price looks good, model, mileage.

So where can I come by and see it?

Don’t tell him.

Um, I’m at 827 Kings Oak, in the French Quarter.

Need directions?

Now he knows where she lives.

No, no, I’ll find you.

Is tomorrow night good?

Actually, I.

Tomorrow night is not good.

Tomorrow?

I’m going out tomorrow.

Mmm-hmm.

He wants to wait for the last possible moment to steal her car, then it’s too late to report it.

How does Tuesday sound?

Got it.

504-555-0147. I see it.

Tracking.

MAN: I think that’s gonna be too late.

See, I need the vehicle Tuesday morning.

Is there anyone else there that can show me the car?

No.

Sorry.

He’s thinking.

I’ll tell you what.

There’s a K5 Blazer.

A date means somebody’s gonna be expecting her and will miss her if she doesn’t show up.

That could ruin his plans.

Shanti, I want to see this guy.

No good.

It’s an outdoor phone booth.

Three miles out of range.

CLAIRE: I hope to hear from you.

Can we get someone out there with a goggle rig?

What’s that do?

Extend the range?

Yeah, it’s immediate line of sight.

But we can use it to gather data outside the target area.

Provided there’s any data to gather.

How long is this guy gonna be at the phone booth?

Not long.

Have a good night.

Thanks.

Bye.

Story of my life.

Yeah, story of my life, too.

All right, now we heard the voice of our bomber, now we’re gonna go after him the old-fashioned way.

Can we get video surveillance on that phone booth?

We can access all surveillance available to any government agency.

Okay, this is from the ATM camera across the street.

All right.

Let’s fast-forward to the exact time of his phone call to Claire.

Where are we supposed to be looking?

Behind the guy on the left.

Can you enhance it, Gunnars?

GUNNARS: Not enough for an ID.

Wait, go back. Can you rewind it just a little bit?

Stop.

What is that on the ground?